About
About
Victoria’s work explores the fragile, haunting intersections of childhood, trauma, and grief. Operating at the boundary where physical texture meets narrative fiction, she constructs fractured worlds through sculpture, analog film, and text. She shapes raw forms in clay and paper mâché while working with VHS and Super 8 as unstable vessels for memory—formats whose grain, distortion, decay, and temporal distance mirror the ways memory fractures and reconstructs itself. Alongside poetry and vignette-driven horror, these materials allow her to give physical and cinematic weight to the invisible architecture of memory. Objects, images, and literary fragments become vessels for the macabre, transforming personal and collective loss into tangible, haunting landscapes.
She draws inspiration from dreams and nightmares, returning often to childhood memory and inherited histories. Her work is informed by dark fairytales, horror cinema, and gothic literature, as well as a tactile sensibility—grainy textures, analog imagery, nostalgia, and earth elements.
She makes dollhouses and crowns, treating small worlds as sites of control and imagination. She is drawn to insects and arachnids, to the delicate and the unsettling, and often returns to the physical world—climbing trees, digging in the dirt—as a way of grounding her work.
She believes in fairies and other mythologies, holding space for the surreal within the everyday. In quieter moments, she dances alone to electronic music or disappears into long naps beside her cat, Tokyo.
